This porcelain series was developed in two stages in Kecskemét, starting in a workshop with Ilona Romule. There, I worked with plaster molds using both slip casting and press molding. I combined a main form with smaller elements, assembling these parts in varied ways to explore form, rhythm, and expression.
The process was mainly formal, testing the limits of these combinations.

A year later, I returned for a residency to continue working with the same molds,
as well as new and older ones from previous sculptures — heads, hands, and fragments. The focus shifted to assembling forms that vary in origin, time, and character. Often, slip-cast and press-molded elements merge in a single object.
The resulting figures are less resolved, sometimes awkward, a bit off, or even uncomfortable — but also unexpectedly tender.